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about
We wrote this one in the vein of the songs that make up The Devil Within EP.
Jesse came up with the progression that reminded us of this era, the third phase in our trajectory as a band, and we jammed and quickly came up with the simple structure.
We've always wanted to do a heavy, chugging riff (a la Leviathan era Mastodon), and just rode the riff out 'til the end.
The sample that concludes this record was meant to be featured in The Devil Within (the song), but we never got around to using it. This is a great way for us to close that chapter in our history, and now it feels complete.
We hope you enjoy Decay (written at the end of March 2016 and recorded live a few days later)!
lyrics
Bodies in the soil
Crows on our grave
To decay, decay, decay, decay
Made a bed in hell
To the devil his due
We decay, decay, decay, decay
Probably my favourite album of all time.
As soon as Tamarack's Gold Returns starts, I'm instantly reminded of Autumn. I listen to this album a lot, and it never gets old, I'm still just as excited for the next song to start as if it were the first time I'd listened to it.
It's a masterpiece. jobo1888
I hear a clear Enslaved vibe, tastefully complemented with echoes from the new wave of north americana prog death, which might not even be a thing. unidual
La mine, c'est le lieu qui met le plus en exergue les disparités sociales : d'un côté ils sont des milliers à descendre dans les entrailles de la terre, de l'autre une poignée s'élève socialement ; d'un côté ils meurent par centaines sous l'effet des coups de grisou, de l'autre ils consolident leurs richesses. Cette dualité, elle traverse aussi Kentucky : d'un côté le black metal atmosphérique asphyxiant, de l'autre l'americana et le folklore héroïque. Panopticon est dans la lutte permanente ! Jordan Vauvert